Update on Igor Levit: a star takes on Shostakovich and Stevenson

Back in March 2017, I posted a piece in praise of the pianist Igor Levit. By then he had already garnered considerable acclaim in the classical music world, but since that time he has become remarkably well known… without, it must be stressed, having compromised his artistic integrity in any way. The daily filmed-at-home online … Continue reading Update on Igor Levit: a star takes on Shostakovich and Stevenson

Piano Forte: 75 minutes with Thomas Adès (and Ludwig van…)

The last 18 months or so have been strange and troubled for music and musicians (as well as for everyone else). Thanks to our philistine, economically irrational UK government, musicians and others whose lives depend on live performance have had it very tough indeed – but anyone who understands that the arts are crucial to … Continue reading Piano Forte: 75 minutes with Thomas Adès (and Ludwig van…)

In Search of Marcel’s Music: Isserlis and friends explore Proust’s passions

Even under normal circumstances – and the recent far-from-normal circumstances have only slowed me down further – I am not a fast reader; consequently, vast swathes of literature of the lengthy variety remain uncharted by yours truly. (That said, I am still, I think, the only person I personally know who has read Don Quixote … Continue reading In Search of Marcel’s Music: Isserlis and friends explore Proust’s passions

Musical Marvels: The Wigmore Lockdown Concerts

If by any chance you follow me on social media, you may recall that before the coronavirus took hold in the UK, I was an almost absurdly frequent visitor to London’s Wigmore Hall, one of the world’s finest venues for performances of chamber music; for some years I had been going there so often that … Continue reading Musical Marvels: The Wigmore Lockdown Concerts

Viola, Viola (and the Wigmore): new music for troubled times

Last week was a pretty good week for me, musically – quite possibly the best I’ve had since the one that ran from Friday 28 February to Thursday 5 March, which was my last week of live concerts. (For the record, and partly to remind myself because it now feels so long ago, I squeezed … Continue reading Viola, Viola (and the Wigmore): new music for troubled times

A Night to Remember (Brilliance, Brilliance, Everywhere…)

As anyone who follows me on Twitter probably knows, I these days spend a very pleasurably inordinate amount of my time attending concerts at London’s Wigmore Hall. Only during the last decade have I become a regular there; while I’ve always liked classical music, for many years I behaved (unwittingly) as if I wanted some … Continue reading A Night to Remember (Brilliance, Brilliance, Everywhere…)

‘In a class of his own’: some notes on pianist Igor Levit

London, as any fule kno, is a great city for live music; spoilt for choice almost every night, you could spend a fortune, if you had such a thing. (I don't, by the way.) But if you choose carefully and avoid the big, expensive gigs, you can pack in a fair bit. It's all about quality. For me … Continue reading ‘In a class of his own’: some notes on pianist Igor Levit

Bach and Britten and other balms for Brexit, a Braggart and Bully

The inauguration of the new President of the United States – the last two of the B…s in the title above, in case you hadn’t figured that out – was for me, as for many, an abomination best avoided; I decided not to watch a single second of the ceremony. Nevertheless, I was of course … Continue reading Bach and Britten and other balms for Brexit, a Braggart and Bully