For some years now I have been a regular attendee at concerts by the estimable Nash Ensemble, chamber ensemble in residence at London’s Wigmore Hall; their themed seasons of programmes are consistently intelligent, wide-ranging and illuminating, the level of musicianship dependably excellent. At one such concert, in November 2018, I was intrigued to see, sitting … Continue reading Viola, viola (II): the remarkable Timothy Ridout
As you may be aware, I’ve posted my personal ‘best of the year’ lists ever since I started writing here in 2016, and each time I’ve felt moved to mention the parlous state both of the UK and of the world in general. This last year saw no improvement on either front, which means that … Continue reading My best movies, music, books, etc, of 2023
Thanks to the recent London Jazz Festival, my customary diet of classical concerts has been pleasingly enriched by a few other gigs, one of which – by the Tyshawn Sorey Trio at King’s Place last Friday – was quite simply superb, and probably my best non-classical concert of the year so far. Sorey is probably … Continue reading Mesmerisingly fine music: the Tyshawn Sorey Trio
As regular readers will know, I’ve been posting my personal ‘year’s best’ lists ever since I started writing here in 2016, and each time I’ve prefaced the survey of my favourite movies, music, etc, with complaints about the dreadful state of British and international politics followed by the expression of (mostly forlorn) hopes for an … Continue reading My best movies, music, books and other moments from 2022
For the list of my best (ie favourite) films, music, books, etc two years ago, I noted the importance of taking solace from the arts at a time when Brexit, Johnson, Trump, climate change and others were cause for such anxiety, anger and despondency. Last year, of course, with Covid having taken its toll, we’d … Continue reading Best of another bad year: movies, music and other highlights of 2021.
In the few years I’ve been posting best-of blogs in the face of worsening political circumstances, I’ve often expressed a rather forlorn hope that things might improve the following year. Well, it turns out, obviously, that the hope I expressed last year could not have been more forlorn. How terrible 2020 has been… not only … Continue reading Best of a bad year: movies, music and other highlights of 2020
Even under normal circumstances – and the recent far-from-normal circumstances have only slowed me down further – I am not a fast reader; consequently, vast swathes of literature of the lengthy variety remain uncharted by yours truly. (That said, I am still, I think, the only person I personally know who has read Don Quixote … Continue reading In Search of Marcel’s Music: Isserlis and friends explore Proust’s passions
Names like Iannis Xenakis (1922-2001), Karlheinz Stockhausen (1928-2007) and Pierre Boulez (1925-2016) often sound alarms in the minds of music-lovers attuned to Mozart or Mendelssohn, Bach, Beethoven or Brahms, or, perhaps still more off-puttingly, in those who favour pop, rock, jazz, soul, hip-hop or all manner of ‘popular’ music. It’s perhaps hardly surprising if most … Continue reading Distance and intimacy: a welcome festival of new music
If by any chance you follow me on social media, you may recall that before the coronavirus took hold in the UK, I was an almost absurdly frequent visitor to London’s Wigmore Hall, one of the world’s finest venues for performances of chamber music; for some years I had been going there so often that … Continue reading Musical Marvels: The Wigmore Lockdown Concerts
Last week was a pretty good week for me, musically – quite possibly the best I’ve had since the one that ran from Friday 28 February to Thursday 5 March, which was my last week of live concerts. (For the record, and partly to remind myself because it now feels so long ago, I squeezed … Continue reading Viola, Viola (and the Wigmore): new music for troubled times
notes and observations by Geoff Andrew 