For some years now I have been a regular attendee at concerts by the estimable Nash Ensemble, chamber ensemble in residence at London’s Wigmore Hall; their themed seasons of programmes are consistently intelligent, wide-ranging and illuminating, the level of musicianship dependably excellent. At one such concert, in November 2018, I was intrigued to see, sitting … Continue reading Viola, viola (II): the remarkable Timothy Ridout
Since 2018, when the Danish String Quartet released their first Prism CD, I have been eagerly awaiting the fifth and final album in the series, and at last it is here. The Quartet’s idea for the string of releases was simple, as announced on the back cover of each of the CDs: ‘Lines of connection … Continue reading Great Beethoven and More: Music through a Danish Prism
There is, of course, no such thing as a greatest piece of music, any more than there might be a greatest movie, novel, painting or whatever. But we all have our favourites – though mine, it must be said, are constantly changing – and as far as classical music goes, one of my most frequent … Continue reading Back to Bach, Beethoven and others: recent classical releases
notes and observations by Geoff Andrew 