Michel Piccoli: one of the greatest

Because he hadn’t appeared in a film for around half a decade, the death of Michel Piccoli (1925-2020) at the age of 94 came as no surprise; I had actually been wondering about his health only last week while chatting with a friend. But that doesn’t mean I wasn’t deeply saddened by the news of his … Continue reading Michel Piccoli: one of the greatest

2020: A Musical Odyssey (That Challenge Thing…)

Like many confined to their homes during the coronavirus lockdown, I have been spending more time than usual on social media, and one Facebook post – by my friend and former Time Out colleague Derek Adams – that ended up taking a lot of my time and attention was his challenge that I post the … Continue reading 2020: A Musical Odyssey (That Challenge Thing…)

This Is Their Music: new notes from (or on) some jazz greats

Though I don’t keep up with new jazz releases as much as I’d like, there’s a side of me that’s sufficiently completist for me to at least try to monitor anything featuring certain long-time favourites, be they dead or alive. And for anyone who shares my tastes, there’s a wealth of riches newly available, not … Continue reading This Is Their Music: new notes from (or on) some jazz greats

Re-considering Kazan (or how I was wrong about Elia K’s movies)

When my colleagues in the programming team at BFI Southbank decided to take up my suggestion that we should mount a retrospective of the films of Elia Kazan – the last one had been way back in the early 1970s – I thought it would be interesting to curate it myself and even, perhaps, to … Continue reading Re-considering Kazan (or how I was wrong about Elia K’s movies)

Stone and Sky: a new work by the great Víctor Erice

One of the world’s greatest living filmmakers, Víctor Erice is also, sadly, one of the least prolific. For various reasons, since first attracting attention in 1973 with The Spirit of the Beehive, he has made only two further features (1983’s The South – which he himself regards as incomplete – and 1992’s The Quince Tree … Continue reading Stone and Sky: a new work by the great Víctor Erice

Happy 50th birthday, ECM!

‘In Munich I used to frequent a record shop where the owner liked jazz, and he gave me some money to make some recordings. It was all quite accidental, and I’d no idea about business or money. I’d worked as a production assistant with Deutsche Grammophon, and I’d already met, in New York, musicians like … Continue reading Happy 50th birthday, ECM!

My best movies, music and other moments from 2019

This time last year, in introducing the lists of my favourite films, music, etc, etc of 2018, I expressed the admittedly somewhat forlorn hope that 2019 would give us less reason to have to seek solace in such things, and that peace, tolerance and reason would prevail. Well, it didn’t quite work out that way, … Continue reading My best movies, music and other moments from 2019

Movies and music for Christmas 2019 (and beyond…)

In December 2017 and 2018, I posted brief pieces highlighting some of my favourites movies and music which had been released on disc during the previous 12 months; I hoped they might prove helpful for anyone wondering what to buy for Christmas presents. The posts seemed to go down quite well, so this year I’m … Continue reading Movies and music for Christmas 2019 (and beyond…)

Great Women Filmmakers: A Few Further Thoughts

The recent announcement of the results of two polls – one conducted by the BBC asking a bunch of critics for their favourite films directed women, won by Jane Campion’s The Piano, the other Sight & Sound’s annual look at the films of the year, won by Joanna Hogg’s The Souvenir – got me thinking … Continue reading Great Women Filmmakers: A Few Further Thoughts

How Garbarek Got His Groove Back (plus a Gig by Joe Lovano)

It being 50 years since Manfred Eicher first set up his ECM label, it was perhaps unsurprising that this year’s London Jazz Festival should mount an ‘ECM day’, with three concerts featuring artists associated with the label. I missed the first, by the Julia Hülsmann Quartet, but managed to catch the second and third, and … Continue reading How Garbarek Got His Groove Back (plus a Gig by Joe Lovano)