Over the last few years I've occasionally posted recommendations for recent BluRay/DVD releases and CDs that might prove useful for anyone wondering what to buy as gifts for Christmas. Since they seem to have been fairly popular posts, I thought I’d do it again – and I’ve even added in a couple of books this … Continue reading Just in time for Christmas, part 2: classic movies, new music releases and books…
In the few years I’ve been posting best-of blogs in the face of worsening political circumstances, I’ve often expressed a rather forlorn hope that things might improve the following year. Well, it turns out, obviously, that the hope I expressed last year could not have been more forlorn. How terrible 2020 has been… not only … Continue reading Best of a bad year: movies, music and other highlights of 2020
A confession: while I’ve always enjoyed classical music, until around 12 years ago I was generally quite wary of contemporary composers, and tended to stick to a few favourites like Arvo Pärt, Michael Nyman, Terry Riley, John Adams, Giya Kancheli and – really adventurous, this! – James MacMillan. (My interest in the last came about … Continue reading Mixing the old with the new: richly rewarding recent classical releases.
Sitting at home the other evening, contemplating the dismal antics of our wretched government, I found myself taking consolation from the melancholy beauty of Lawrence Power’s viola in his performance of James Macmillan’s marvellous concerto for that instrument. And, generous fellow that I am – not to mention someone who often dithers endless over what … Continue reading Music and movies for Christmas and beyond: a few recommendations
If by any chance you follow me on social media, you may recall that before the coronavirus took hold in the UK, I was an almost absurdly frequent visitor to London’s Wigmore Hall, one of the world’s finest venues for performances of chamber music; for some years I had been going there so often that … Continue reading Musical Marvels: The Wigmore Lockdown Concerts
notes and observations by Geoff Andrew 