When I first became a cinephile back in the autumn of 1973 – my life changed, imperceptibly but permanently, when I took a seat in the front row of the Cambridge Arts Cinema to watch Bergman’s Cries and Whispers – I set about learning about the (for me) newly discovered art form as quickly as … Continue reading Film as Criticism: the illustrious example of VF Perkins
Film as Criticism: the illustrious example of VF Perkins
notes and observations by Geoff Andrew 