When the news broke a few days ago that ECM, the illustrious and proudly independent Munich-based music label founded by Manfred Eicher in 1969, was making its remarkable back catalogue available to major streaming services, a film critic friend sent me a piece in the New York Times which singled out 21 ‘essential’ ECM albums. Knowing … Continue reading Now Streaming… The Musical Treasure Trove of ECM
The following piece – an introduction to the work of Ingmar Bergman – was written for the website of the Tyneside Cinema, Newcastle, which last November mounted a brief season of his films. But this slightly amended version might serve equally as a taster for the current, comprehensive Bergman retrospective playing at London's BFI Southbank … Continue reading A Matter of Death and Life: the Films of Ingmar Bergman
I first became properly aware of the musical genius of Anouar Brahem back in 1998, and like most revelations it was accidental. I had, as it happened, already heard the Tunisian playing his oud – a North African lute-like instrument – first, unconsciously, on the soundtrack he composed for Moufida Tlatli’s 1994 film The Silences … Continue reading Anouar Brahem: back with another musical jewel
notes and observations by Geoff Andrew 