I haven’t written much recently about jazz, for many reasons, one of which was the illness and passing of David Fraser, a music publicist – also, in time, a friend – who introduced me to a great deal of marvellous music (and not just jazz). David’s speciality, as far as I was concerned, was ECM … Continue reading But Is It Jazz? (Five recent examples of suite sounds.)
In the spring of last year, the very welcome appearance of two albums featuring previously unreleased performances of music by Mike Westbrook and Charlie Haden’s Liberation Music Orchestra prompted me to blog about them; I also ended up recommending them as possible Christmas gifts in a blog posted in December. The Westbrook album, released by … Continue reading Just in time for Christmas: great new (and old) jazz.
As you may have noticed from my writings here, with regard to the arts I tend to be pretty constant, even loyal, in terms of my interest in the work of certain people; if they produce one or two pieces I find unusually satisfying, I generally try to keep up with what they do next. … Continue reading But Is It Jazz?… (Five recent unclassifiable musical gems)
Though I don’t keep up with new jazz releases as much as I’d like, there’s a side of me that’s sufficiently completist for me to at least try to monitor anything featuring certain long-time favourites, be they dead or alive. And for anyone who shares my tastes, there’s a wealth of riches newly available, not … Continue reading This Is Their Music: new notes from (or on) some jazz greats
‘In Munich I used to frequent a record shop where the owner liked jazz, and he gave me some money to make some recordings. It was all quite accidental, and I’d no idea about business or money. I’d worked as a production assistant with Deutsche Grammophon, and I’d already met, in New York, musicians like … Continue reading Happy 50th birthday, ECM!
In December 2017 and 2018, I posted brief pieces highlighting some of my favourites movies and music which had been released on disc during the previous 12 months; I hoped they might prove helpful for anyone wondering what to buy for Christmas presents. The posts seemed to go down quite well, so this year I’m … Continue reading Movies and music for Christmas 2019 (and beyond…)
It being 50 years since Manfred Eicher first set up his ECM label, it was perhaps unsurprising that this year’s London Jazz Festival should mount an ‘ECM day’, with three concerts featuring artists associated with the label. I missed the first, by the Julia Hülsmann Quartet, but managed to catch the second and third, and … Continue reading How Garbarek Got His Groove Back (plus a Gig by Joe Lovano)
The first time I saw the American composer and pianist Carla Bley perform live was back in June 1974, when she played keyboards for the Jack Bruce Band; a couple of years later; the first of her albums that I bought was ‘Dinner Music’, released a couple of years later. Thereafter, I not only made … Continue reading Of Life (and Death?): new music from Carla Bley
A few weeks ago I read something that both surprised and greatly pleased me: an announcement of the imminent release of a new CD featuring the great Canadian pianist Paul Bley (1932-2016), in a live performance recorded in Lugano in 1999 featuring the illustrious trio of Bley, bassist Gary Peacock and the late, likewise great … Continue reading When Will The Blues Leave – a posthumous gem from the great Paul Bley
Since its inception 50 years ago, the ECM label has become a haven for great jazz pianists – only last week I wrote about a new album from Craig Taborn and Vijay Iyer. But the label is perhaps especially famous for having promoted a particular kind of piano trio, where bass and percussion carry as … Continue reading Giovanni Guidi: great jazz pianist and versatile composer