Deciphering film’s decadent beauty: Bill Morrison’s Village Detective

As anyone who has seen Decasia (2002) or Dawson City: Frozen Time (2016), by the New York-based artist and filmmaker Bill Morrison, may be aware, there can be something strangely beautiful about film –film, the physical entity – decomposed by the passing of time. Even before I saw the former title, I’d already been intrigued … Continue reading Deciphering film’s decadent beauty: Bill Morrison’s Village Detective

Holdovers: Belated January additions to my best of 2023.

Somewhat belated happy New Year!  At the end of 2023, as usual, I posted about my best movies, music, etc, of that year. I mentioned there my uncertainty about whether Nitai Herszhkovits’ Call on the old wise should have made my top five jazz/folk/other CDs. For what it's worth, I’m still undecided about that (should … Continue reading Holdovers: Belated January additions to my best of 2023.

My best movies, music, books, etc, of 2023

As you may be aware, I’ve posted my personal ‘best of the year’ lists ever since I started writing here in 2016, and each time I’ve felt moved to mention the parlous state both of the UK and of the world in general. This last year saw no improvement on either front, which means that … Continue reading My best movies, music, books, etc, of 2023

Movies and Music for Christmas… and Beyond

It's already December again. For some years I've posted recommendations for recent BluRay/DVD releases and CDs that might prove useful for anyone wondering what to buy as gifts for Christmas. Since they seem to have been fairly popular posts, I'm doing so again – and I’ve added a couple of books, too. (Please note that … Continue reading Movies and Music for Christmas… and Beyond

Less Is More: the idiosyncratic genius of Giorgio Morandi

A confession: I wasn't familiar with the work of Giorgio Morandi (1890-1964) until around a decade ago, when a friend also attending the Cinema Ritrovato festival in Bologna suggested we take a break from movies and visit the Morandi museum. So I missed a film – who knows how good it would have been? – … Continue reading Less Is More: the idiosyncratic genius of Giorgio Morandi

My best movies, music, books and other moments from 2022

As regular readers will know, I’ve been posting my personal ‘year’s best’ lists ever since I started writing here in 2016, and each time I’ve prefaced the survey of my favourite movies, music, etc, with complaints about the dreadful state of British and international politics followed by the expression of (mostly forlorn) hopes for an … Continue reading My best movies, music, books and other moments from 2022

Ripe for (re)discovery: marvellous artist Milton Avery

It’s not often that I write about the visual arts, mainly, I suppose, because I suspect that most of you reading my posts know at least as much as I do about the subject, maybe more. But just occasionally, as happened with the Swiss painter Félix Vallotton or the Malian photographer Malick Sidibé, I come … Continue reading Ripe for (re)discovery: marvellous artist Milton Avery

Best of another bad year: movies, music and other highlights of 2021.

For the list of my best (ie favourite) films, music, books, etc two years ago, I noted the importance of taking solace from the arts at a time when Brexit, Johnson, Trump, climate change and others were cause for such anxiety, anger and despondency. Last year, of course, with Covid having taken its toll, we’d … Continue reading Best of another bad year: movies, music and other highlights of 2021.

Best of a bad year: movies, music and other highlights of 2020

In the few years I’ve been posting best-of blogs in the face of worsening political circumstances, I’ve often expressed a rather forlorn hope that things might improve the following year. Well, it turns out, obviously, that the hope I expressed last year could not have been more forlorn. How terrible 2020 has been… not only … Continue reading Best of a bad year: movies, music and other highlights of 2020

Stone and Sky: a new work by the great Víctor Erice

One of the world’s greatest living filmmakers, Víctor Erice is also, sadly, one of the least prolific. For various reasons, since first attracting attention in 1973 with The Spirit of the Beehive, he has made only two further features (1983’s The South – which he himself regards as incomplete – and 1992’s The Quince Tree … Continue reading Stone and Sky: a new work by the great Víctor Erice