Last week was a pretty good week for me, musically – quite possibly the best I’ve had since the one that ran from Friday 28 February to Thursday 5 March, which was my last week of live concerts. (For the record, and partly to remind myself because it now feels so long ago, I squeezed … Continue reading Viola, Viola (and the Wigmore): new music for troubled times
Like many confined to their homes during the coronavirus lockdown, I have been spending more time than usual on social media, and one Facebook post – by my friend and former Time Out colleague Derek Adams – that ended up taking a lot of my time and attention was his challenge that I post the … Continue reading 2020: A Musical Odyssey (That Challenge Thing…)
For many years now I’ve been taking an enthusiastic interest in Scandinavian music: not just that of my long-term favourites Sibelius and Nielsen, whose work I’ve adored since I first discovered it in my teens, but more contemporary fare, particularly in that fertile territory situated somewhere between jazz, folk, chamber music and experimental improvisation. It’s … Continue reading Norwegian Good II: Bjarte Eike and Jon Balke
I have loved the music of Jean Sibelius and Dmitri Shostakovich ever since my teens. Back then they were probably more important to me than Beethoven, and right up there with King Crimson, Van Der Graaf Generator, David Ackles and other rock favourites. I bought their symphonies and concertos on budget labels like Classics for … Continue reading Two musical evenings: Shostakovich and Sibelius
notes and observations by Geoff Andrew 