Distance and intimacy: a welcome festival of new music

Names like Iannis Xenakis (1922-2001), Karlheinz Stockhausen (1928-2007) and Pierre Boulez (1925-2016) often sound alarms in the minds of music-lovers attuned to Mozart or Mendelssohn, Bach, Beethoven or Brahms, or, perhaps still more off-puttingly, in those who favour pop, rock, jazz, soul, hip-hop or all manner of ‘popular’ music. It’s perhaps hardly surprising if most … Continue reading Distance and intimacy: a welcome festival of new music

Musical Marvels: The Wigmore Lockdown Concerts

If by any chance you follow me on social media, you may recall that before the coronavirus took hold in the UK, I was an almost absurdly frequent visitor to London’s Wigmore Hall, one of the world’s finest venues for performances of chamber music; for some years I had been going there so often that … Continue reading Musical Marvels: The Wigmore Lockdown Concerts

Viola, Viola (and the Wigmore): new music for troubled times

Last week was a pretty good week for me, musically – quite possibly the best I’ve had since the one that ran from Friday 28 February to Thursday 5 March, which was my last week of live concerts. (For the record, and partly to remind myself because it now feels so long ago, I squeezed … Continue reading Viola, Viola (and the Wigmore): new music for troubled times

2020: A Musical Odyssey (That Challenge Thing…)

Like many confined to their homes during the coronavirus lockdown, I have been spending more time than usual on social media, and one Facebook post – by my friend and former Time Out colleague Derek Adams – that ended up taking a lot of my time and attention was his challenge that I post the … Continue reading 2020: A Musical Odyssey (That Challenge Thing…)