As anyone who has seen Decasia (2002) or Dawson City: Frozen Time (2016), by the New York-based artist and filmmaker Bill Morrison, may be aware, there can be something strangely beautiful about film –film, the physical entity – decomposed by the passing of time. Even before I saw the former title, I’d already been intrigued … Continue reading Deciphering film’s decadent beauty: Bill Morrison’s Village Detective
As you may be aware, I’ve posted my personal ‘best of the year’ lists ever since I started writing here in 2016, and each time I’ve felt moved to mention the parlous state both of the UK and of the world in general. This last year saw no improvement on either front, which means that … Continue reading My best movies, music, books, etc, of 2023
Less than a week ago, I learned that the filmmaker Terence Davies was seriously ill. This came as a shock; only a week previously had I led a discussion about Distant Voices, Still Lives with students at the London Film School. Seeing the film again had been a very pleasurable reminder of his particular cinematic … Continue reading Terence Davies: A Remembrance
These days I don’t watch as many new films as I used to, partly because I no longer work full-time as a critic/programmer and have other things I enjoy doing, partly because I get a lot out of revisiting the films I admire most, and partly because so many new movies clearly aren’t made for … Continue reading Command Z: Steven Soderbergh on the state of things…
Back in the late 1990s, at the London Film Festival, I dimly recall having seen – and been both befuddled and beguiled by – a long, slow, monochrome film of The Postman Always Rings Twice. György Fehér’s Passion (Szenvedély) was considerably artier and more enigmatic than any of the earlier versions of James M Cain’s … Continue reading Into the Unknown: A different film called Twilight
As regular readers will know, I’ve been posting my personal ‘year’s best’ lists ever since I started writing here in 2016, and each time I’ve prefaced the survey of my favourite movies, music, etc, with complaints about the dreadful state of British and international politics followed by the expression of (mostly forlorn) hopes for an … Continue reading My best movies, music, books and other moments from 2022
Over the decades the two questions I’ve been asked most, as critic and programmer, have been what my favourite film is and what made me want to work in film. To the first, after explaining that I don’t have a single favourite film, I used to reply L’Atalante, but that often met with blank looks, … Continue reading Revisiting Hollywood’s last golden age: my part in a new publication
For the list of my best (ie favourite) films, music, books, etc two years ago, I noted the importance of taking solace from the arts at a time when Brexit, Johnson, Trump, climate change and others were cause for such anxiety, anger and despondency. Last year, of course, with Covid having taken its toll, we’d … Continue reading Best of another bad year: movies, music and other highlights of 2021.
Since a similar post seemed to go down quite well last year, and in case you’re wondering what to buy folks (or yourself) for Christmas, I thought I’d again offer recommendations of classic movies released on BluRay and DVD during the last 12 months. Many of the films listed below come in glorious restorations and, … Continue reading Just in time for Christmas, part 2: great classic movies now out on disc.
Howard Hawks has been one of my favourite filmmakers ever since I first discovered what a director did. How could he not be when he made – to cite my personal top-ten of his films (for today, anyway, and listed in the order they were made) – Scarface, Only Angels Have Wings, His Girl Friday, … Continue reading Howard Hawks: Hollywood hack or supreme cimematic artist?
notes and observations by Geoff Andrew 