Music and movies for Christmas and beyond: a few recommendations

Sitting at home the other evening, contemplating the dismal antics of our wretched government, I found myself taking consolation from the melancholy beauty of Lawrence Power’s viola in his performance of James Macmillan’s marvellous concerto for that instrument. And, generous fellow that I am – not to mention someone who often dithers endless over what … Continue reading Music and movies for Christmas and beyond: a few recommendations

In Search of Marcel’s Music: Isserlis and friends explore Proust’s passions

Even under normal circumstances – and the recent far-from-normal circumstances have only slowed me down further – I am not a fast reader; consequently, vast swathes of literature of the lengthy variety remain uncharted by yours truly. (That said, I am still, I think, the only person I personally know who has read Don Quixote … Continue reading In Search of Marcel’s Music: Isserlis and friends explore Proust’s passions

Two or three things I know about Tony Elliott

When I heard, from a friend who works for Time Out, that Tony Elliott (1947-2020) had died the previous evening, I wasn’t entirely surprised; though he appeared, on the last occasion I saw him in late January, to be in reasonable health and good spirits, I knew that he’d been engaged in a grim battle … Continue reading Two or three things I know about Tony Elliott

Distance and intimacy: a welcome festival of new music

Names like Iannis Xenakis (1922-2001), Karlheinz Stockhausen (1928-2007) and Pierre Boulez (1925-2016) often sound alarms in the minds of music-lovers attuned to Mozart or Mendelssohn, Bach, Beethoven or Brahms, or, perhaps still more off-puttingly, in those who favour pop, rock, jazz, soul, hip-hop or all manner of ‘popular’ music. It’s perhaps hardly surprising if most … Continue reading Distance and intimacy: a welcome festival of new music

Musical Marvels: The Wigmore Lockdown Concerts

If by any chance you follow me on social media, you may recall that before the coronavirus took hold in the UK, I was an almost absurdly frequent visitor to London’s Wigmore Hall, one of the world’s finest venues for performances of chamber music; for some years I had been going there so often that … Continue reading Musical Marvels: The Wigmore Lockdown Concerts

Viola, Viola (and the Wigmore): new music for troubled times

Last week was a pretty good week for me, musically – quite possibly the best I’ve had since the one that ran from Friday 28 February to Thursday 5 March, which was my last week of live concerts. (For the record, and partly to remind myself because it now feels so long ago, I squeezed … Continue reading Viola, Viola (and the Wigmore): new music for troubled times

Michel Piccoli: one of the greatest

Because he hadn’t appeared in a film for around half a decade, the death of Michel Piccoli (1925-2020) at the age of 94 came as no surprise; I had actually been wondering about his health only last week while chatting with a friend. But that doesn’t mean I wasn’t deeply saddened by the news of his … Continue reading Michel Piccoli: one of the greatest

2020: A Musical Odyssey (That Challenge Thing…)

Like many confined to their homes during the coronavirus lockdown, I have been spending more time than usual on social media, and one Facebook post – by my friend and former Time Out colleague Derek Adams – that ended up taking a lot of my time and attention was his challenge that I post the … Continue reading 2020: A Musical Odyssey (That Challenge Thing…)

This Is Their Music: new notes from (or on) some jazz greats

Though I don’t keep up with new jazz releases as much as I’d like, there’s a side of me that’s sufficiently completist for me to at least try to monitor anything featuring certain long-time favourites, be they dead or alive. And for anyone who shares my tastes, there’s a wealth of riches newly available, not … Continue reading This Is Their Music: new notes from (or on) some jazz greats

Re-considering Kazan (or how I was wrong about Elia K’s movies)

When my colleagues in the programming team at BFI Southbank decided to take up my suggestion that we should mount a retrospective of the films of Elia Kazan – the last one had been way back in the early 1970s – I thought it would be interesting to curate it myself and even, perhaps, to … Continue reading Re-considering Kazan (or how I was wrong about Elia K’s movies)