This time last year I posted a piece highlighting some favourites movies of mine which had been released on disc during 2017; I hoped it might prove helpful for anyone wondering what to buy for Christmas presents. It seemed to go down quite well, so this year I’ve decided to repeat the exercise, with some … Continue reading Movies and music for Christmas and beyond
I am far from the first to lament the recent loss, within a couple of days, of both Nicolas Roeg and Bernardo Bertolucci, and I certainly won’t be the last. What follows is not some sort of double obituary, but merely a brief, personal appreciation of two major filmmakers, both of whom proved to be … Continue reading Nicolas Roeg and Bernardo Bertolucci: two film greats remembered.
As last year, here are some recommendations for the upcoming BFI London Film Festival. There are, of course, many films in the festival that I haven’t yet seen, some of which I am greatly looking forward to. (For me Alfonso Cuarón’s Roma and Mike Leigh’s Peterloo are merely the most immediately enticing; since posting this piece … Continue reading The 2018 London Film Festival: some personal recommendations
The following piece – an introduction to the work of Ingmar Bergman – was written for the website of the Tyneside Cinema, Newcastle, which last November mounted a brief season of his films. But this slightly amended version might serve equally as a taster for the current, comprehensive Bergman retrospective playing at London's BFI Southbank … Continue reading A Matter of Death and Life: the Films of Ingmar Bergman
A confession: while I recognise the cinematic importance of the late Andrei Tarkovsky – his influence on certain filmmakers, and the high regard in which his work is widely held – I myself have never been a great admirer of his films. I like Ivan’s Childhood and Andrei Roublev well enough, but I have always … Continue reading Turning Tarkovsky into music: Nuit blanche