Howard Hawks: Hollywood hack or supreme cimematic artist?

Howard Hawks has been one of my favourite filmmakers ever since I first discovered what a director did. How could he not be when he made –  to cite my personal top-ten of his films (for today, anyway, and listed in the order they were made) – Scarface, Only Angels Have Wings, His Girl Friday, … Continue reading Howard Hawks: Hollywood hack or supreme cimematic artist?

Film as Criticism: the illustrious example of VF Perkins

When I first became a cinephile back in the autumn of 1973 – my life changed, imperceptibly but permanently, when I took a seat in the front row of the Cambridge Arts Cinema to watch Bergman’s Cries and Whispers – I set about learning about the (for me) newly discovered art form as quickly as … Continue reading Film as Criticism: the illustrious example of VF Perkins

The 2017 BFI London Film Festival – some personal recommendations

With this year's edition of the London Film Festival due to begin in a few days, I thought I'd suggest a few titles to look out for. There are many movies in the Festival, of course, which I haven't yet seen, but of those I have managed to catch already – in Cannes, Berlin, Venice, … Continue reading The 2017 BFI London Film Festival – some personal recommendations