Michelangelo Antonioni (1912-2007) was undoubtedly a major artist, and a hugely important, massively influential filmmaker, one of those few who really did change how people thought about the cinema and its potential as an art form. Not surprisingly, then, his films amply repay repeat viewings. (Hence the current BFI retrospective.) That’s partly because the films … Continue reading Mulling over Antonioni
When, around this time last year, I posted my round-up of my favourite movies, music and so on of 2017, I felt the need to say what a difference the arts had made for me in a time of depressing political confusion and chaos. I’m not going to kick off another rant this year, even … Continue reading My best movies, music and other moments from 2018
As last year, here are some recommendations for the upcoming BFI London Film Festival. There are, of course, many films in the festival that I haven’t yet seen, some of which I am greatly looking forward to. (For me Alfonso Cuarón’s Roma and Mike Leigh’s Peterloo are merely the most immediately enticing; since posting this piece … Continue reading The 2018 London Film Festival: some personal recommendations
While last year’s Cannes - the 70th edition of the Festival – was a little underwhelming, this year’s event turned out to be pretty rewarding, at least in terms of the main competition. While I wouldn’t claim that it produced any indisputable masterpieces, there were many very good films on offer, and around five or … Continue reading The 2018 Cannes Film Festival: My Top 12 Movies
notes and observations by Geoff Andrew 