Anyone who caught my best-films-of-2023 list - either here, or in the annual Sight and Sound poll – was probably a little mystified by the title in the top spot: That They May Face the Rising Sun, by the Irish filmmaker Pat Collins. Understandably so, given that the film hadn’t been released; indeed, it had … Continue reading A Real, Rare Gem of a Film (see it while you can)
It’s emphatically a reflection not of their musical quality but of how busy I’ve been recently that I’m only now writing to pass on my enthusiasm for three rather wonderful albums released by ECM in January and early February. I’ve been listening to each of them a lot, but due to work I was so … Continue reading But is it jazz? (Yes!) Three more musical gems
As anyone who has seen Decasia (2002) or Dawson City: Frozen Time (2016), by the New York-based artist and filmmaker Bill Morrison, may be aware, there can be something strangely beautiful about film –film, the physical entity – decomposed by the passing of time. Even before I saw the former title, I’d already been intrigued … Continue reading Deciphering film’s decadent beauty: Bill Morrison’s Village Detective
For some years now I have been a regular attendee at concerts by the estimable Nash Ensemble, chamber ensemble in residence at London’s Wigmore Hall; their themed seasons of programmes are consistently intelligent, wide-ranging and illuminating, the level of musicianship dependably excellent. At one such concert, in November 2018, I was intrigued to see, sitting … Continue reading Viola, viola (II): the remarkable Timothy Ridout
Somewhat belated happy New Year! At the end of 2023, as usual, I posted about my best movies, music, etc, of that year. I mentioned there my uncertainty about whether Nitai Herszhkovits’ Call on the old wise should have made my top five jazz/folk/other CDs. For what it's worth, I’m still undecided about that (should … Continue reading Holdovers: Belated January additions to my best of 2023.
As you may be aware, I’ve posted my personal ‘best of the year’ lists ever since I started writing here in 2016, and each time I’ve felt moved to mention the parlous state both of the UK and of the world in general. This last year saw no improvement on either front, which means that … Continue reading My best movies, music, books, etc, of 2023
A few days ago I learned of the death of the great Georgian filmmaker Otar Iosseliani, at the age of 89. I was sad to hear of his demise – I'd met him a few times, and liked him – but also a little surprised, given his apparently prodigious intake of alcohol, that he'd lasted that … Continue reading RIP Otar Iosseliani, auteur extraordinaire
It's already December again. For some years I've posted recommendations for recent BluRay/DVD releases and CDs that might prove useful for anyone wondering what to buy as gifts for Christmas. Since they seem to have been fairly popular posts, I'm doing so again – and I’ve added a couple of books, too. (Please note that … Continue reading Movies and Music for Christmas… and Beyond
Thanks to the recent London Jazz Festival, my customary diet of classical concerts has been pleasingly enriched by a few other gigs, one of which – by the Tyshawn Sorey Trio at King’s Place last Friday – was quite simply superb, and probably my best non-classical concert of the year so far. Sorey is probably … Continue reading Mesmerisingly fine music: the Tyshawn Sorey Trio
Back in the 1990s, when I was film editor at Time Out, the magazine’s classical music critic suggested, at one of our weekly editorial meetings, that he interview an eminent British composer. I can no longer recall whether the proposal was to mark a new composition or a significant anniversary, but I vividly remember the … Continue reading Two Thomases and Tabakova: three new musical delights
notes and observations by Geoff Andrew 