There was, quite simply, no way I would willingly miss catching Festen, the new opera – based on Thomas Vinterberg’s 1998 Dogma film of the same name – by Mark-Anthony Turnage. Besides the movie connection, it offers an extraordinary cast, a dependably excellent conductor (Ed Gardner) and an acclaimed director (Richard Jones). And even though … Continue reading From screen to opera stage: the new Festen
From screen to opera stage: the new Festen