A plug for ‘Mug’ (Don’t let that title put you off a terrific new movie!)

There’s a new movie out in the UK this week – Mug – though, as is now so often the way with foreign-language titles, it is receiving a disappointingly limited release. I imagine it will probably end up appearing on other platforms, however, so I’d like to draw attention to the film now. It’s well … Continue reading A plug for ‘Mug’ (Don’t let that title put you off a terrific new movie!)

Nicolas Roeg and Bernardo Bertolucci: two film greats remembered.

I am far from the first to lament the recent loss, within a couple of days, of both Nicolas Roeg and Bernardo Bertolucci, and I certainly won’t be the last. What follows is not some sort of double obituary, but merely a brief, personal appreciation of two major filmmakers, both of whom proved to be … Continue reading Nicolas Roeg and Bernardo Bertolucci: two film greats remembered.

The Ballad of Buster Scruggs: western approaches by the Coens

With the exception of festival reports and annual round-ups I haven’t written very often here about new movies, but every now and then something comes along which I feel merits a bit of a plug. Now, it might seem strange to be doing this for a movie by filmmakers as well known as Joel and … Continue reading The Ballad of Buster Scruggs: western approaches by the Coens

The Other Side of the Wind: at last it can be seen.

Ever since I first became seriously interested in the cinema, I have considered Orson Welles one of the very finest filmmakers of all time; and whenever I’m invited to do the impossible and nominate one movie as the greatest ever made, I usually opt for Citizen Kane. So I was obviously one of those Welles … Continue reading The Other Side of the Wind: at last it can be seen.

Shirkers: the film that never was, but is now.

A few days ago, a documentary I’ve been wanting to see ever since it won the best direction prize at Sundance was made available to watch on Netflix; the film has been garnering positive reviews pretty much wherever it’s screened, so I jumped at the chance to catch up with it at last. It was … Continue reading Shirkers: the film that never was, but is now.

The 2018 London Film Festival: some personal recommendations

As last year, here are some recommendations for the upcoming BFI London Film Festival. There are, of course, many films in the festival that I haven’t yet seen, some of which I am greatly looking forward to. (For me Alfonso Cuarón’s Roma and Mike Leigh’s Peterloo are merely the most immediately enticing; since posting this piece … Continue reading The 2018 London Film Festival: some personal recommendations

Bologna discovery: the films of John Stahl

My annual visit to Bologna’s Il Cinema Ritrovato festival – which specialises in rarities, restorations, forgotten fragments and other filmic arcana – usually turns up a few gems, and often provides a welcome opportunity to get better acquainted with the work of a director with whom I was hitherto barely familiar; last year, I especially … Continue reading Bologna discovery: the films of John Stahl

The 2018 Cannes Film Festival: My Top 12 Movies

While last year’s Cannes - the 70th edition of the Festival – was a little underwhelming, this year’s event turned out to be pretty rewarding, at least in terms of the main competition. While I wouldn’t claim that it produced any indisputable masterpieces, there were many very good films on offer, and around five or … Continue reading The 2018 Cannes Film Festival: My Top 12 Movies

The 2018 Berlin Film Festival – my top ten movies

The 2018 edition of the Berlin Film Festival was not, by any stretch of the imagination, a superior vintage; like myself, most critics I spoke with agreed that there were few if any truly outstanding films, though a couple whose opinions I respect did tell me they had discovered a masterpiece in  the Forum strand … Continue reading The 2018 Berlin Film Festival – my top ten movies

Reworking music from the movies: Norma Winstone’s ‘Descansado’

‘It’s always good if you can find a theme for an album. In this case, what happened was this: Glauco often plays little tunes during sound-checks, and when you ask him what the music is, it frequently turns out to be from some film. So I thought it would be nice to take music which … Continue reading Reworking music from the movies: Norma Winstone’s ‘Descansado’