It’s emphatically a reflection not of their musical quality but of how busy I’ve been recently that I’m only now writing to pass on my enthusiasm for three rather wonderful albums released by ECM in January and early February. I’ve been listening to each of them a lot, but due to work I was so … Continue reading But is it jazz? (Yes!) Three more musical gems
Four years ago this month, a friend, knowing I was a big admirer of the music put out by ECM, suggested I put together a list of my all-time favourite releases on the label, in response to a New York Times list of 21 ‘essential’ ECM albums published to mark the music then newly available … Continue reading Further Gems from ECM: revisiting some favourites
Though I don’t keep up with new jazz releases as much as I’d like, there’s a side of me that’s sufficiently completist for me to at least try to monitor anything featuring certain long-time favourites, be they dead or alive. And for anyone who shares my tastes, there’s a wealth of riches newly available, not … Continue reading This Is Their Music: new notes from (or on) some jazz greats
Year in, year out, Easter throws up gigs galore with music that’s good for the soul: Bach, of course – especially the Passions, for obvious reasons – but also masses, motets and so on by the likes of Pärt, Pergolesi or Poulenc, Tavener, Taverner or Tallis, not to mention Handel’s inevitable Messiah. Evidently, the profound … Continue reading Stops Making Sense: Organ music with a difference
When the news broke a few days ago that ECM, the illustrious and proudly independent Munich-based music label founded by Manfred Eicher in 1969, was making its remarkable back catalogue available to major streaming services, a film critic friend sent me a piece in the New York Times which singled out 21 ‘essential’ ECM albums. Knowing … Continue reading Now Streaming… The Musical Treasure Trove of ECM
I first became properly aware of the musical genius of Anouar Brahem back in 1998, and like most revelations it was accidental. I had, as it happened, already heard the Tunisian playing his oud – a North African lute-like instrument – first, unconsciously, on the soundtrack he composed for Moufida Tlatli’s 1994 film The Silences … Continue reading Anouar Brahem: back with another musical jewel
notes and observations by Geoff Andrew 