How Garbarek Got His Groove Back (plus a Gig by Joe Lovano)

It being 50 years since Manfred Eicher first set up his ECM label, it was perhaps unsurprising that this year’s London Jazz Festival should mount an ‘ECM day’, with three concerts featuring artists associated with the label. I missed the first, by the Julia Hülsmann Quartet, but managed to catch the second and third, and … Continue reading How Garbarek Got His Groove Back (plus a Gig by Joe Lovano)

Now Streaming… The Musical Treasure Trove of ECM

When the news broke a few days ago that ECM, the illustrious and proudly independent Munich-based music label founded by Manfred Eicher in 1969, was making its remarkable back catalogue available to major streaming services, a film critic friend sent me a piece in the New York Times which singled out 21 ‘essential’ ECM albums. Knowing … Continue reading Now Streaming… The Musical Treasure Trove of ECM

From The Colour of Pomegranates to the Armenian genocide: some notes on Tigran Mansurian

If you’ve ever seen Sergei Paradjanov’s remarkable and unforgettably odd film, you will probably recognise the striking tableau above as one from Sayat Nova, released in the West as The Colour of Pomegranates. However much I admire the movie for its bold originality and painterly beauty, I must confess that its radical, highly allusive style … Continue reading From The Colour of Pomegranates to the Armenian genocide: some notes on Tigran Mansurian