December again. For some years, I've posted recommendations for recent BluRay/DVD releases, CDs and books that might be of use for anyone wondering what Christmas gifts to buy. (I find choosing presents very difficult, so am myself always open to ideas from friends.) So here we go once more. I hope some of the suggestions … Continue reading Movies, music and books for Christmas – and beyond…
A few weeks ago, enthused by the release of an impressive album of duets by Thomas Strønen, I followed my review with a list of some of my favourite duet CDs released by ECM over the years. Perhaps one of the least known of the albums I included was Poros, a 1998 release by the … Continue reading But Is It Jazz? Another Fine Album of Duets…
If by any chance you read my recent ‘best of 2024’ post, you may have noticed, among the new musical releases, the inclusion of an album entitled Relations, attributed to Thomas Strønen, Craig Taborn, Chris Potter, Sinikka Langeland and Jorge Rossy. That would be a rather eccentric line-up for a group – a Norwegian percussionist, … Continue reading It Takes Two to Tango… or the Magic of Musical Duets
Four years ago this month, a friend, knowing I was a big admirer of the music put out by ECM, suggested I put together a list of my all-time favourite releases on the label, in response to a New York Times list of 21 ‘essential’ ECM albums published to mark the music then newly available … Continue reading Further Gems from ECM: revisiting some favourites
When the news broke a few days ago that ECM, the illustrious and proudly independent Munich-based music label founded by Manfred Eicher in 1969, was making its remarkable back catalogue available to major streaming services, a film critic friend sent me a piece in the New York Times which singled out 21 ‘essential’ ECM albums. Knowing … Continue reading Now Streaming… The Musical Treasure Trove of ECM
I first became properly aware of the musical genius of Anouar Brahem back in 1998, and like most revelations it was accidental. I had, as it happened, already heard the Tunisian playing his oud – a North African lute-like instrument – first, unconsciously, on the soundtrack he composed for Moufida Tlatli’s 1994 film The Silences … Continue reading Anouar Brahem: back with another musical jewel
A confession: while I recognise the cinematic importance of the late Andrei Tarkovsky – his influence on certain filmmakers, and the high regard in which his work is widely held – I myself have never been a great admirer of his films. I like Ivan’s Childhood and Andrei Roublev well enough, but I have always … Continue reading Turning Tarkovsky into music: Nuit blanche
notes and observations by Geoff Andrew 