London is always a great city for art, and while there are several current exhibitions I’ve yet to get to*, this summer has some superb painting on offer, in addition to the many masterpieces on permanent display. I’d meant to write before now (but for various reasons didn’t get around to it) recommending the Edward … Continue reading Summer in the City: London’s treasure trove of art
Around three months ago, I wrote about what to me seemed a fairly transformative experience of joining a local choir to sing some music by Brahms. I certainly don’t intend to post a blog after every concert I take part in – this will probably be the last – but in the hope of encouraging … Continue reading Singing Beethoven (or how to have fun)
Frequent readers will probably have registered my admiration for the various musical offerings of saxophonist Trygve Seim and trumpeter Arve Henriksen, so are unlikely to be surprised by my enthusiasm for Arcanum, a newly released quartet album they made with bassist Anders Jormin and percussionist Markku Ounaskari. The four have played together in various configurations … Continue reading But Is It Jazz? Three New Albums
I can’t recall precisely when I first heard the music of the Tunisian oud maestro Anouar Brahem; it was probably when I bought Madar, an album of duets with Jan Garbarek, released in early 1994, which was some months before I saw Moufida Tlatli’s film The Silences of the Palace, for which he wrote and … Continue reading But Is It Jazz? Cool Music in a World on Fire…
There are currently a couple of very fine French movies playing in and around London and the UK, but since each is what many in the industry regard as a ‘small film’ – lasting a mere 100 minutes or so, with no stars, dealing with more or less ordinary people leading more or less ordinary … Continue reading Two Very Impressive New French Films: Catch ’em While You Can…
If you have any interest at all in the extraordinary work of the Quay Brothers, you should certainly be sure to visit the exhibition Dormitorium - The Film Décors of The Quay Brothers, currently at Bloomsbury’s Swedenborg House until Friday 4 April. But even if you’ve never heard of the Pennsylvania-born, London-based, Central-and-Eastern-Europe-obsessed twins and … Continue reading Impossible Worlds Made Real: The Quay Brothers in Bloomsbury
With the perhaps partial exception of my best-of-the-year lists, my writing here has always been about what other people have done – filmmakers, musicians, artists, photographers, writers – rather than about myself. For once, however, I am going to deal with my own actions, simply because I’d like to encourage anyone out there who’s considering … Continue reading Singing Brahms (and how to survive)
While little contemporary American filmmaking is to my taste – most of it’s not made for people of my age – there are a number of dependably rewarding directors whose new movies I always make a point of catching; one such, undoubtedly, is the prolific Steven Soderbergh. Since I first saw sex, lies and videotape back … Continue reading Black Bag and Steven Soderbergh: a talent to treasure
As regular readers may be aware, I’ve been a great admirer of the composer, bandleader and pianist Mike Westbrook for many years. If memory serves, the first music I ever heard by him (thanks to John Peel, I suspect) was the 1972 jazz-rock album Solid Gold Cadillac; certainly the first time I saw Westbrook perform … Continue reading Piano Magic: Mike Westbrook’s Intimate Epic
The recently opened exhibition at the Courtauld – Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection – may include only around two dozen paintings, and its title may be a tad misleading: there’s just one Goya on show, and the show has very little (as far as I can tell, anyway) to say about … Continue reading Of Fish, Men and Mountains: Rarely Seen Masterpieces at the Courtauld
notes and observations by Geoff Andrew 