From screen to opera stage: the new Festen

There was, quite simply, no way I would willingly miss catching Festen, the new opera – based on Thomas Vinterberg’s 1998 Dogma film of the same name – by Mark-Anthony Turnage. Besides the movie connection, it offers an extraordinary cast, a dependably excellent conductor (Ed Gardner) and an acclaimed director (Richard Jones). And even though … Continue reading From screen to opera stage: the new Festen

Two musical evenings: Shostakovich and Sibelius

I have loved the music of Jean Sibelius and Dmitri Shostakovich ever since my teens. Back then they were probably more important to me than Beethoven, and right up there with King Crimson, Van Der Graaf Generator, David Ackles and other rock favourites. I bought their symphonies and concertos on budget labels like Classics for … Continue reading Two musical evenings: Shostakovich and Sibelius