There are currently a couple of very fine French movies playing in and around London and the UK, but since each is what many in the industry regard as a ‘small film’ – lasting a mere 100 minutes or so, with no stars, dealing with more or less ordinary people leading more or less ordinary … Continue reading Two Very Impressive New French Films: Catch ’em While You Can…
If you have any interest at all in the extraordinary work of the Quay Brothers, you should certainly be sure to visit the exhibition Dormitorium - The Film Décors of The Quay Brothers, currently at Bloomsbury’s Swedenborg House until Friday 4 April. But even if you’ve never heard of the Pennsylvania-born, London-based, Central-and-Eastern-Europe-obsessed twins and … Continue reading Impossible Worlds Made Real: The Quay Brothers in Bloomsbury
With the perhaps partial exception of my best-of-the-year lists, my writing here has always been about what other people have done – filmmakers, musicians, artists, photographers, writers – rather than about myself. For once, however, I am going to deal with my own actions, simply because I’d like to encourage anyone out there who’s considering … Continue reading Singing Brahms (and how to survive)
While little contemporary American filmmaking is to my taste – most of it’s not made for people of my age – there are a number of dependably rewarding directors whose new movies I always make a point of catching; one such, undoubtedly, is the prolific Steven Soderbergh. Since I first saw sex, lies and videotape back … Continue reading Black Bag and Steven Soderbergh: a talent to treasure
As regular readers may be aware, I’ve been a great admirer of the composer, bandleader and pianist Mike Westbrook for many years. If memory serves, the first music I ever heard by him (thanks to John Peel, I suspect) was the 1972 jazz-rock album Solid Gold Cadillac; certainly the first time I saw Westbrook perform … Continue reading Piano Magic: Mike Westbrook’s Intimate Epic
notes and observations by Geoff Andrew 