I can’t recall precisely when I first heard the music of the Tunisian oud maestro Anouar Brahem; it was probably when I bought Madar, an album of duets with Jan Garbarek, released in early 1994, which was some months before I saw Moufida Tlatli’s film The Silences of the Palace, for which he wrote and … Continue reading But Is It Jazz? Cool Music in a World on Fire…
The recent announcement of the results of two polls – one conducted by the BBC asking a bunch of critics for their favourite films directed women, won by Jane Campion’s The Piano, the other Sight & Sound’s annual look at the films of the year, won by Joanna Hogg’s The Souvenir – got me thinking … Continue reading Great Women Filmmakers: A Few Further Thoughts
I first became properly aware of the musical genius of Anouar Brahem back in 1998, and like most revelations it was accidental. I had, as it happened, already heard the Tunisian playing his oud – a North African lute-like instrument – first, unconsciously, on the soundtrack he composed for Moufida Tlatli’s 1994 film The Silences … Continue reading Anouar Brahem: back with another musical jewel
notes and observations by Geoff Andrew 