I have always failed to understand why the films of the Belgian brothers Jean-Pierre and Luc Dardenne have seldom attained the box-office success they’ve deserved in the UK. I had been totally knocked out by the first film of theirs I saw – La Promesse - when it played in the 1996 London Film Festival, … Continue reading Modest but Masterly: the Dardennes’ Brilliant ‘Young Mothers’
I was very saddened indeed to hear today of the passing of Terence Stamp. I met him just a few times, and certainly didn't know him at all well. But like (it seems) all or most others who encountered him, I was utterly charmed by his down-to-earth demeanour, his quiet intelligence, his modesty, his warm … Continue reading Meetings with a Remarkable Man: Terence Stamp remembered
If you have any interest at all in the extraordinary work of the Quay Brothers, you should certainly be sure to visit the exhibition Dormitorium - The Film Décors of The Quay Brothers, currently at Bloomsbury’s Swedenborg House until Friday 4 April. But even if you’ve never heard of the Pennsylvania-born, London-based, Central-and-Eastern-Europe-obsessed twins and … Continue reading Impossible Worlds Made Real: The Quay Brothers in Bloomsbury
While little contemporary American filmmaking is to my taste – most of it’s not made for people of my age – there are a number of dependably rewarding directors whose new movies I always make a point of catching; one such, undoubtedly, is the prolific Steven Soderbergh. Since I first saw sex, lies and videotape back … Continue reading Black Bag and Steven Soderbergh: a talent to treasure
notes and observations by Geoff Andrew 