Until the recent release of a three-disc BluRay set on Criterion’s ‘Eclipse’ series, most of the films by the late, very great Iranian writer-director Abbas Kiarostami made before his 1986 breakthrough feature Where Is the Friend’s House? have been almost impossible to see, surfacing only at occasional retrospectives around the world. With the sole exception … Continue reading Kiarostami at Kanoon: Early Jewels from a Cinematic Giant
To return, or not to return, that is the question… More than half a century ago, as a teenage classicist at Northampton Grammar School, I recall (if memory still serves) being taught not only that the ‘Elgin Marbles’ were extraordinary sculptures that I should go and see at the British Museum should I get the … Continue reading The Marbles: a new doc about an old controversy
No longer a programme advisor to the BFI London Film Festival, I haven’t yet seen many movies in this year’s edition (now underway and continuing until Sunday 20th October), but there are a few films I've already caught which I feel I should recommend. I’m sure there are others well worth investigating (I myself am … Continue reading Four Recommendations for the London Film Festival
As anyone who has seen Decasia (2002) or Dawson City: Frozen Time (2016), by the New York-based artist and filmmaker Bill Morrison, may be aware, there can be something strangely beautiful about film –film, the physical entity – decomposed by the passing of time. Even before I saw the former title, I’d already been intrigued … Continue reading Deciphering film’s decadent beauty: Bill Morrison’s Village Detective
You may think you know all you need to know about The Velvet Underground: the encounter of New York songwriter Lou Reed and Welsh classical violist John Cale, the bringing in of drummer Maureen Tucker and guitarist Sterling Morrison, the ‘sponsorship’ of the band by Andy Warhol, the temporary addition of Nico to the outfit, … Continue reading Not Just the Band: Todd Haynes’ The Velvet Underground
notes and observations by Geoff Andrew 