Friedrich Dürrenmatt

Back in the late 1990s, at the London Film Festival, I dimly recall having seen – and been both befuddled and beguiled by – a long, slow, monochrome film of The Postman Always Rings Twice. György Fehér’s Passion (Szenvedély) was considerably artier and more enigmatic than any of the earlier versions of James M Cain’s … Continue reading Into the Unknown: A different film called Twilight