One of the pleasures I derived last year from visiting the National Gallery’s ‘Radical Harmony’ exhibition devoted to the neo-impressionists was the opportunity it afforded to reassess the work of Georges Seurat. Though I’d been familiar (or so I thought…) with his experiments in pointillism since my teens, I had always found pictures like Bathers…

Read more Seascapes by Seurat, Faces by Freud: two new London exhibitions